November 24, by Liz 41 Comments Short Answer Questions Read through the questions before you listen to the audio. Predict the type of answer you need to listen for and underline any key words that might help you find the answer.
Her father was William Ward —a haberdasherwho moved the family to Bath to manage a china shop in Her mother was Ann Oates — of Chesterfield. Sukey, Wedgwood's daughter, also stayed in Chelsea and is Radcliffe's only known childhood companion.
Although mixing in some distinguished circles, Radcliffe seems to have made little impression in this society and was described by Wedgwood as "Bentley's shy niece".
He often came home late, and to occupy her time she began to write and to read her work to him when he returned. Theirs was a childless but seemingly happy marriage. Radcliffe called him her "nearest relative and friend".
In her final years, Radcliffe retreated from public life and was rumoured to have become insane as a result of her writing.
Although she had suffered from asthma for twelve years previously,  her modern biographer, Rictor Nortoncites the description given by her physician, Dr Scudamore, of how "a new inflammation seized the membranes of the brain," which led to "violent symptoms" and argues that they suggest a "bronchial infection, leading to pneumonia, high fever, delirium and death.
Its tone suggests a strained relationship between the two, similar to the one between Ellena Rosalba and the Marchesa di Vivaldi in her novel The Italian. Inthe year of her death, the Edinburgh Review said, "She never appeared in public, nor mingled in private society, but kept herself apart, like the sweet bird that sings its solitary notes, shrouded and unseen.
Radcliffe did not like the direction in which Gothic literature was heading — one of her later novels, The Italianwas written in response to Matthew Gregory Lewis's The Monk. Radcliffe portrayed her female characters as equal to male characters, allowing them to dominate and overtake the typically powerful male villains and heroes, creating new roles for women in literature previously not available.
After Radcliffe's death, her husband released her unfinished essay "On the Supernatural in Poetry", which details the difference between the sensation of terror her works aimed to achieve and the horror Lewis sought to evoke. Some modern critics have been frustrated by her work, as she fails to include "real ghosts".
This could be motivated by the idea that works in the Romantic periodfrom the late 18th century to the midth century, had to undermine Enlightenment values such as rationalism and realism.
She was seen as one of the Gothic authors that brought this prejudice more into the public eye of Anglican England. The confessional is often portrayed as a danger zone controlled by the power of the priest and the church.
Radcliffe's works would have left her contemporary readers with an impression of Catholicism as something ultimately cruel and corrupt, and therefore alienated against the denomination and its practitioners.
She often wrote about places she had never visited. Lorrain's influence can be seen through Radcliffe's picturesque, romantic descriptions, as seen in the first volume of The Mysteries of Udolpho.
Rosa's influence can be seen through dark landscapes and elements of the Gothic. Radcliffe said of Lorrain: The sight of this picture imparted much of the luxurious repose and satisfaction, which we derive from contemplating the finest scenes of nature.
Here was the poet, as well as the painter, touching the imagination, and making you see more than the picture contained. You saw the real light of the sun, you breathed the air of the country, you felt all the circumstances of a luxurious climate on the most serene and beautiful landscape; and the mind thus softened, you almost fancied you hear Italian music in the air.1.
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